Friday, August 28, 2009

The Game That I Stole

Friday August 28, 2009
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Reston - Herndon Adult Softball Council
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The Game That I Stole
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You better know the Rules
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The year was 1985, if I remember correctly, and the FishHeads team that I sponsored and played for was playing a RHASC B-League Summer Tournament game. Winner advances to the Championship game, the next day; the Loser goes home to stay.
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The FishHeads were a bunch of over 35 year old, beer (and other stuff) pals and the team that we were playing was comprised of young, big muscle bound jerks. They laughed at us when we showed up, they laughed at us when we took batting & infield practice and when their first batter smacked a dinger over the fence, they laughed hilariously. After just one of their batters, they were chanting ‘slaughter rule, slaughter rule’. (see end Note)
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Our old scorebook shows that we were losing 10-5 with 2 Outs in the top of the 7th inning when I poked a hit into Right Field. As I rounded First Base, I saw that their Right Fielder had misplayed the ball and so, I kept running .. all the way to Third Base. Once the play was complete, their Catcher hollered that I had missed First Base and their Pitcher should appeal the play. And so, the Pitcher goes to the Pitching Rubber as if to pitch to our next batter and their Catcher runs down towards First Base pointing to throw the ball there. When their Pitcher throws the ball over to First Base, I see no one covering Home and so I take off for the Plate, scoring easily. Not only was the appeal overruled but their complaint about me running on the appeal was negated, as well. Now, we’re losing 10-6. But that one heads up play sparked our team and we went on to score 5 more Runs.
And so, the steroid-ers (as I called them) were trailing 11-10 going into the bottom of the 7th inning.
But THAT wasn’t how I stole the game. No. But, keep reading.
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The steroid-ers first batter in the bottom of the 7th smashes a long, deep drive to Left Center Field. It hits about a foot from the top of the fense and by the time our Fielder chases it down and gets the ball back in to the Infield, their batter is standing on Third Base with a Triple. Still, no Outs.
Their next batter hits a bouncer right back at our Pitcher who sees the Runner on Third Base a little too far off the Base and zips the ball over there, nailing him. One Out, man on First Base.
Their next hitter whallops a long fly ball to Left Field. Our Left Fielder runs it down but right in front of the fense, he drops it. Their base runner was expecting a Base Hit but, still, tagged up and made it to Second Base. One Out, men on First Base and Second Base. Their next hitter lines a Single to Left Field but their Runner on Second Base stops at Third Base for safety precautions.
Now, one Out, Bases Loaded. Next hitter swings for the fenses but undercuts the ball, badly and pops up to our Infield. Now, there’s two Outs, bases still looaded .. and their best hitter is up. He’s 4 for 4 with a wicked Home Run, already. Their Coach / Manager is yelling that the Runners on Second Base and Third Base are all that matters. They must score but he keeps yelling that nothing else matters; ‘nothing else matters’.
The first pitch, their hitter drills a ball down the Right Field line where I’m playing Right Field. Now, I know their Runner on Third Base will just walk in and tie the game and their Runner on Second Base will, most likely score, too .. winning the game for them .. but I’m not giving up. No, not me !
Still, the ball is way deep in the corner before I chase it down. When I pick it up, their winning run is 10 feet from Home Plate and we’ve surely lost ..
BUT with all that ‘nothing else matters’ – I see that their batter did not run to First Base. He’s there at the Plate watching their perceived winning run scoring. And he’s dancing down the First Base line but in no hurry to get to First Base.
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Now, you Baseball fans know what I mean when I say those two Runners crossing Home Plate don’t mean sh!t UNLESS the batter runs to First base and touches it WHICH HE DID NOT DO ! ! !
So, I spot it, immediately but I can’t throw the ball to Calvin, our First Baseman because he’s got his head down, walking off the field. I want to yell but I don’t want to alert their team what we all know and that is if the batter does not reach First Base – it’s basically a Ground Out. So, I start slipping in towards Fist Base. Fast .. but trying not to show my hand. The Umpire is not awarding their team anything because he knows what the dealio is. He’s watching me .. and I see him watching me.
Their batter is, still, dancing with his arms up in the air and he’s pointing at our Pitcher and trash-talking.
Now, I’m creeping in within 20 feet of First Base when the steroid-ers Coach sees the Umpire doing nothing and it hits him what’s up. He screams at their batter to run to First Base. By the time the batter gets it and starts to run, I’m already there and step on the bag. The Ump yells, “you’re out !” And follows up with, “the game is over. FishHeads win !”
And I slam the ball down on the ground ala Pete Rose, right at the feet of their batter/runner.
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I stole the freaking game and our players did not even know what had happened. None of them. Five minutes after the game was over and beer cans were a popping in the parking lot, some of our guys, still, weren’t sure what had happened.
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If you’re going to play Baseball / Softball – it helps to know the Rules.
And I do.
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** Note: Slaughter Rule is when a team is ahead by 12 runs or more after 4 innings.
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LARRY..CURTIS..SPURLOCK
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Wednesday, August 26, 2009

5500 Years From Home


Wednesday August 26, 2009
* * * * * * * * * * * * * * * * * * * *


5500 Years From Home

In addition to the 250 plus Lyrical Pieces that I have written and received Copyright Protection from the Library Of Congress - I have, also, written a Novel (copyrighted but not Published) entitled 5500 Years From Home. I am currently working on a 2nd Book entitled The Island that I am about 1/2 the way towards completion, .. but have suspended at this time.
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I have decided to, occasionally, post excerpts from
5500 Years From Home in this Blog space.
Today, we peruse the 1st page of Chapter 14 – Page 120.
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Enjoy !
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**********
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5500 Years From Home
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chapter 14 ... page 120
* * *
Turnaround
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Once again, Thom and the EOB were on their way, traveling in the time and space continuum. The difference, this time was the EOB had regained his mental wherewithal and the destination would be closer to Thom’s current time of 2008.
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Of course, Thom had questions but the EOB was providing answers prior to Thom’s queries. First, the EOBs mental cell that had been damaged in the crash at Coventry had responded to it’s self treatment in such a manner that his global positioning was reconstructed. The emergency departures had taxed the recovery cerebral modules but the corrective overtures were, still, providing healing power. The dynamics of the cortex perpetually ignited the retrieval strength and additional straightforward continuance was all that was required. The product was that the EOB was cured but not completely healed.
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Secondly and, maybe, most importantly, the EOBs directional chronological delineation method was operating successfully. There would be no more negative directional time travel. But Thom’s present day epoch, 2008 would not be able to be obtained in one swift Jump. There may be another stepping stone or two to fuel the centrifugal adjustment to undulate the rhythm associated with Wormhole Wandering schedules.
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And lastly, the EOB was not able to create the Lightning strike that set fire to the Labradorean tree that successfully detoured the Canadian Indians. He, instead, stole that Electrical Fluidity from his memory of the 1752 strike just outside of Philadelphia. But he did hear Thom’s subliminal distress appeal .. and he was able to reposition the Orb only by his recent return to health. And so it appeared, timing was everything.
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Regardless, their trajectory was in the direction of 2008 .. and the EOB was diligently deciphering their cosmic island space step.
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… EOBs directional chronological delineation method was operating successfully. ..


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LARRY..CURTIS..SPURLOCK
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Tuesday, August 25, 2009

baby baby: the princess flower ... what's going on

Tuesday September 1, 2009
* * * * * * * * * * * * * * * * * * *


from the ‘best of’ collection …
by: larry curtis spurlock
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The following is the 4th lyrical piece in the Play score …
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baby baby: the princess flower


vol. IV forthcoming


16 baby baby: the princess flower 16


babay baby baby (188)
flowers
wilder side
watching t.v.
sleeping
what’s going on
land of jam
what am i doing here
green mean team
rain queen
slowing down again
wishing
the cool fool
the plan
sailing
like i’m coming home (203)


*
4 16 193 f
1988

larry curtis spurlock



what's going on


chorus
what's going on here
what's going on
what's going on here
what's going on
(5x)

1
i can't remember the last time
i don't have a clue
i don't have a dime
nobody understands me

i don't understand anybody
this cannot be

repeat chorus

2
is this the time before last
what's that noise
everything's so fast
what did I .. forget
slow motion - speed up
is it hot .. or cold

repeat chorus

3
never mind where we're going
when we're outside
the wind is blowing
if we're inside .. i don't know
we can't see the sky
we don't know

repeat chorus (3x)
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Friday, August 21, 2009

Farmin' . . . DOWN HOME

Friday August 21, 2009
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Farmin’
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Down Home
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Claude: Hey, Clyde – whar you goin’ with’n that thar wagon o' MA-nure ?

Clyde: I’m goin’ ta spread it on my strawburries' patch.

Roy: Damn, damn ! I, I, I puts sugar ‘n’ cream on my strawburries !
And they say I’m dum’. J
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LARRY..CURTIS..SPURLOCK
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Thursday, August 20, 2009

the WHO .. Tommy / Acid Queen

Thursday August 20, 2009
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the Who
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Tommy

04. Tommy
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01. Overture
02. It's A Boy
03. 1921
04. Amazing Journey
05. Sparks
06. Eyesight To The Blind (The Hawker)
07. Christmas
08. Cousin Kevin
09. The Acid Queen
10. Underture
11. Do You Think It's Alright
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror_
16. Tommy Can You Hear Me
17. Smash The Mirror
18. Sensation
19. Miracle Cure
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It




The Acid Queen


Gypsy:
If your child ain't all he should be now
This girl will put him right.
I'll show him what he could be now
Just give me one night.
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I'm the Gypsy - the acid Queen.
Pay before we start.
I'm the Gypsy - The acid queen.
I'll tear your soul apart.
Give us a room and close the door
Leave us for a while.
Your boy won't be a boy no more
Young, but not a child.
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I'm the Gypsy - the acid queen.
Pay before we start.
I'm the Gypsy the acid queen.
I'll tear your soul apart.
Gather your wits and hold on fast,
Your mind must learn to roam.
Just as the Gypsy Queen must do
You're gonna hit the road.
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My work is done now look at him
He's never been more alive.
His head it shakes his fingers clutch.
Watch his body writhe
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I'm the Gypsy - the acid queen.
Pay before we start.
I'm the Gypsy - I'm guaranteed.
To break your little heart.
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LARRY..CURTIS..SPURLOCK
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Wednesday, August 19, 2009

5500 Years From Home

Wednesday August 19, 2009
* * * * * * * * * * * * * * * * * * * *


5500 Years From Home

In addition to the 250 plus Lyrical Pieces that I have written and received Copyright Protection from the Library Of Congress - I have, also, written a Novel (copyrighted but not Published) entitled 5500 Years From Home. I am currently working on a 2nd Book entitled The Island that I am about 1/2 the way towards completion, .. but have suspended at this time.
.
I have decided to, occasionally, post excerpts from
5500 Years From Home in this Blog space.
Today, we peruse the 8th page of Chapter 13 – Page 119.
.
Enjoy !
.
* * * *


5500 YEARS FROM HOME

chapter Thirteen … page 119
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Vikings 14 - Chiefs 7


Thom fought against the young Warriors but to no avail. He, soon, was fastened to the pole where the young Princess had been, before. It would be just a matter of minutes before he was set afire. There would be no racing back to the Orb as had occurred five times before.
Going from enemy intruder to God-like figure and now to death by fire for actions detrimental to the Tribe was unfathomable.
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Thom’s last hope was to cry out for the EOB to take action.
As the Vikings and Indians all stood by in witness of this turn of events, a strange shooting star streaked across the Northern sky. It was followed by a Thunderclap and then a Lightning strike that hit in the trees immediately to the South of the clearing that the sacrificial pit was located. A fire began in the tree that was hit. This caused a stir among the men of the Tribe who immediately began filling buckets of water and splashing the tree that was ablaze. Women ran to the nearby village with their children in hopes of saving their possessions should the fire not be controlled. Even the Vikings began to board their ship to drift back away from where the fire was.
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During the commotion, Thom could see the Orb had relocated to the rocky area just beyond the cave. He wiggled and wiggled until he loosened the leather bindings around his wrists. Once he was free, he ran over to the area where the Orb was. The door opened and he jumped in. With all that was going on with the tree fire, very few saw what had transpired and those that did were concerned otherwise.
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And then, the Orb was gone. As Thom situated himself on board, he quizzed the EOB as to how he transported the Orb in short order.
Subliminally, of course, the EOB assured Thom that his mental capacities had been restored and with few exceptions, he would be able to redirect the Orb back in the direction of 2008.
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… It was followed by a Thunderclap and then a Lightning strike ..

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LARRY..CURTIS..SPURLOCK
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Tuesday, August 18, 2009

baby baby: the princess flower ... watching t.v.

Tuesday August 18, 2009
* * * * * * * * * * * * * * * * * *

from the ‘best of’ collection …
by: larry curtis spurlock
.
The following is the 4th lyrical Piece in the Play Score ...

baby baby: the princess flower


vol. IV forthcoming

baby baby:
.
the princess flower

babay baby baby (188)
flowers
wilder side
watching t.v.
sleeping
what’s going on
land of jam
what am i doing here
green mean team
rain queen
slowing down again
wishing
the cool fool
the plan
sailing
like i’m coming home (203)


*

4 16 191 d
1988

larry curtis spurlock


watching t v


1
bart is delirious
his sister is so serious
homer is furious
and marge is not so bad

chorus
watching t v - watching t v
i'm just watching t v
watching t v - i'm watching t v
just let it be - what i see
when i'm watching t v

2
stephanie is pathetic
while delta is dietetic
jamie lee is athletic
but the daryls speak not a word

3
sugar is mischievous
the queen is so devious
carlos is almost meaningless
and the funny guy lives alone

repeat chorus

4
kevin is very cute
but richie has the loot
and bud seems so astute
while wino woman was a witch

5
the policeman has got soul
and the stones play rock'n roll
but the kicker missed the goal
so harry is the judge

6
our attorney is in l a
where crime's not supposed to pay
but orenthal did it anyway
mr. hall's not quite so busy

repeat chorus

7
the movies are two years old
and the cleaner is mighty bold
turtles are mutant so i'm told
but dave comes on much too late

8
the specials are not quite that
sesame street is where it's at
and roseanne is way way fat
but i like her kids anyway

repeat chorus
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Monday, August 17, 2009

Woodstock ... By: Joni Mitchell




Monday August 18, 2009
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Woodstock

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Verse & Musis by Joni Mitchell
also recorded by Joni
Rock'n'Roll version by Crosby, Stills, Nash & Young
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Well, I came upon a child of God
He was walking along the road
And I asked him,
Tell me, where are you going?
This he told me
Said, I'm going down to Yasgur's Farm,
Gonna join in a rock and roll band.
Got to get back to the land and set my soul free.

We are stardust, we are golden,
We are billion year old carbon,
And we got to get ourselves back to the garden.

Well, then can I roam beside you?
I have come to lose the smog,
And I feel myself a cog in somethin' turning.
And maybe it's the time of year,
Yes and maybe it's the time of man.
And I don't know who I am,
But life is for learning.

We are stardust, we are golden,
We are billion year old carbon,
And we got to get ourselves back to the garden.
We are stardust, we are golden,
We are billion year old carbon,
And we got to get ourselves back to the garden.

By the time we got to Woodstock,
We were half a million strong
And everywhere was a song and a celebration.
And I dreamed I saw the bomber death planes
Riding shotgun in the sky,
Turning into butterflies
Above our nation.

We are stardust, we are golden,
We are caught in the devils bargain,
And we got to get ourselves back to the garden.
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Blogmeister’s Note:

You know, when you hear these lyrics – you can just imagine seeing Ms. Mitchell tripping along at the Woodstock Festival.
But that is not the case. You see, Joni’s management team had her booked to appear on the hugely popular Dick Cavett Show on the Monday following Woodstock.

And there was great concern that she would not be able to escape the traffic woes that were present there.
And it was decided that she would stay in Manhattan and miss the entire festival.
She wrote these facinating and chilling lyrics
* while sitting in her hotel room *
just days before that event.
And ..
being that she had been dating Stephen Stills AND David Crosby,
she played the song for them and asked that they perform it, there.
AMAZING; is it not ?


* * * * * * * * *


To watch & listen to Joni Mitchell sing live with her band in 1979 ..
from The Concert (Film) "Refuge of the Roads"

click here:

http://www.youtube.com/watch?v=fuISB2ksnMM&feature=related


and / or to hear the hugely popular studio version by
Crosby, Stills, Nash & Young

click here:
http://www.youtube.com/watch?v=fzQQgF0p_kk




LARRY..CURTIS..SPURLOCK

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Sunday, August 16, 2009

more about WOODSTOCK



Sunday August 16, 2009

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WOODSTOCK
( August 15, 16 & 17 - 1969 )

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And In The Beginning ...
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Woodstock was initiated through the efforts of Michael Lang, John Roberts, Joel Rosenman, and Artie Kornfeld. It was Roberts and Rosenman who had the finances.
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They placed the following advertisement in the New York Times and Wall Street Journal under the name of Challenge International, Ltd.: “Young men with unlimited capital looking for interesting, legitimate investment opportunities and business propositions.”
Lang and Kornfeld noticed the ad, and the four men got together originally to discuss a retreat type recording studio in Woodstock, but the idea evolved into an outdoor music and arts festival. There were differences in approach among the four: Roberts was disciplined, and knew what was needed in order for the venture to succeed, while the laid back Lang saw Woodstock as a new, relaxed way of bringing business people together. There were further doubts over the venture, as Roberts wondered whether to consolidate his losses and pull the plug, or to continue pumping his own finances into the project.

In April 1969, newly-minted superstars Creedence Clearwater Revival were the first act to sign a contract for the event, agreeing to play for ten thousand dollars. The promoters had experienced difficulty landing big-name groups prior to the Bay Area 'swamp rockers' committing to play. Creedence drummer Doug Clifford later commented "Once Creedence signed, everyone else jumped in line and all the other big acts came on."
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Given their three AM start time and non-inclusion (at Creedence frontman John Fogerty's insistence) in the Woodstock film, Creedence members have expressed bitterness over their experiences at the famed festival.

Woodstock was designed as a profit-making venture, aptly titled "Woodstock Ventures". It famously became a 'free concert' only after it became obvious that the event was drawing hundreds of thousands more people than the organizers had prepared for. Tickets for the event cost US $18 in advance (approximately US $106 today calculated for buying power, and approximately US $75 today adjusted for inflation) and $24 at the gate for all three days. Ticket sales were limited to record stores in the greater New York City area, or by mail via a Post Office Box at the Radio City Station Post Office located in midtown Manhattan. Around 186,000 tickets were sold beforehand and organizers anticipated approximately 200,000 festival-goers would turn up.

Woodstock Ventures made Warner Bros. an offer to make a movie about Woodstock. All Artie Kornfeld required was $100,000, on the basis that "it could have either sold millions or, if there were riots, be one of the best documentaries ever made," according to Kornfeld.

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Venue
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The concert was originally scheduled to take place in the 300-acre Mills Industrial Park in northeast Middletown, Orange County, New York in Wallkill, Orange County, New York which Woodstock Ventures had leased for $100,000 in the Spring of 1969. Town officials were assured that no more than 50,000 people would attend. Town residents immediately opposed the project. In early July the Town Board passed a law requiring a permit for any gathering over 5,000 people. On July 15, 1969 the Wallkill Zoning Board of Appeals officially banned the concert on the basis that the planned portable toilets would not meet town code.

Following the ban, Elliot Tiber, who owned the 80 room El Monaco Motel on White Lake in Bethel, New York offered to host the event on his 15 acres. He already had a permit for a White Lake Music and Arts Festival from the Town of Bethel, which was to be a chamber music concert. When it was clear the site was too small, Tiber introduced the promoters to dairy farmer, Max Yasgur, initially on the premise that Yasgur's land would rent for $50 for a festival attracting 5,000. On July 20, 1969, Yasgur, meeting with the organizers at a White Lake restaurant called The Lighthouse, agreed to rent 600 acres for $75,000.

News of the event was leaked to local radio station WVOS (AM) even before Yasgur and the organizers left the restaurant, reportedly by restaurant employees. The organizers paid another $25,000 to nearby residents to rent their land. Yasgur's land formed a natural bowl sloping down to Filippini Pond on the land's north side. The stage would be set at the bottom of the hill with Filippini Pond forming a backdrop. The pond would become a popular skinny dipping destination. The event organizers would stay at Tiber's El Monaco Motel along with

Canned Heat and Arlo Guthrie. Tiber was further rewarded for saving the event by being awarded the sole concession for ticket buyers.

The organizers once again told Bethel authorities they expected no more than 50,000 people.
Despite resident opposition and signs proclaiming, 'Buy No Milk. Stop Max's Hippy Music Festival', Bethel Town Attorney Frederick W. V. Schadt and building inspector

Donald Clark approved the permits, but the Bethel Town Board refused to issue them formally. Clark was ordered to post 'Stop Work' orders, but the promoters tore them down.

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... It's A Free Concert .. Now
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The late change in venue did not give the festival organizers enough time to prepare. At a meeting three days before the event organizers felt they had two choices. One choice was to improve the fencing and security which might have resulted in violence, the other choice involved putting all their resources into completing the stage which would cause Woodstock Ventures to take a financial hit. The crowd which was arriving in greater number and earlier than anticipated made the decision for them. The fence was eventually cut in part by UAW/MF Family prompting many more to show up.

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The Festival
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The influx of attendees to the rural concert site in Bethel created a massive traffic jam. Fearing chaos as thousands began descending on the community, Bethel did not enforce its codes. Eventually, people were discouraged from setting off to the festival on radio stations as far away as WNEW-FM in Manhattan and the traffic jams were described on television news programs. Arlo Guthrie made an announcement that was included in the film that the "New York State Thruway is closed, man!".

The director of the Woodstock museum discussed below said this never occurred. To add to the problems and difficulty in dealing with the large crowds, recent rains had caused muddy roads and fields. The facilities were not equipped to provide sanitation or first aid for the number of people attending; hundreds of thousands found themselves in a struggle against bad weather, food shortages, and poor sanitation.
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On the morning of Sunday August 17th New York's Governor Nelson Rockefeller called festival organizer John Roberts and told him he was thinking of ordering 10,000 New York State National Guard troops to the festival. Roberts was successful in persuading Rockefeller not to do it. Sullivan County declared a 'state of emergency'.

Although the festival was remarkably PEACEFUL given the number of people and the conditions involved, there were two recorded fatalities: one from what was believed to be a heroin overdose and another caused in an accident when a tractor ran over an attendee sleeping in a nearby hayfield. There also were two births recorded at the event (one in a car caught in traffic and another in a helicopter) and four miscarriages. Oral testimony in the film supports the overdose and run-over deaths and at least one birth, along with many colossal logistical headaches.
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Yet, in tune with the idealistic hopes of the 1960s, Woodstock satisfied most attendees. There was a sense of social harmony, the quality of music, and the overwhelming mass of people, many sporting '
bohemian' dress, behavior, and attitudes.
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After the concert .. Max Yasgur, who owned the site of the event, saw it as a victory of peace and love. He spoke of how nearly half a million people filled with possibilities of disaster, riot, looting, and catastrophe spent the three days with music and peace on their minds. He states that "if we join them, we can turn those adversities that are the problems of America today into a hope for a brighter and more peaceful future..."

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Media Reporting
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Very few reporters from outside the immediate area were on the scene. During the first few days of the festival, national media coverage emphasized the problems. Headlines in the New York Daily News read "TRAFFIC UPTIGHT AT HIPPIEFEST" and "HIPPIES MIRED IN A SEA OF MUD".

Coverage became more positive by the end of the festival in part because the parents of concertgoers called the media, and told them based on their children s phone calls their reporting was misleading.
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The Middletown (NY) Times Herald-Record had been following the story ever since Middletown was initially selected as the site of the festival. Al Romm, then editor of the Record, editorialized against the law that banned the festival from Walkill and Middletown. As the only daily in the area, the Record covered the subsequent site selections, which eventually settled on Yasgur's farm. During Woodstock, Al Romm and his wife Ethel were on site as reporters from Thursday, the day before the start of the festival, and coordinated coverage from a trailer behind the stage, and had the only phone line out of the concert site.

Many Record reporters, including Joe Shea, founder of The American Reporter (newspaper), who were at Woodstock on their own, were recruited to cover the emerging story. Romm hired a motorcyclist to get stories and pictures from the impassible crowd to the newspaper's HQ, 35 miles away in Middletown. The Record issued a rare Saturday extra, with a front page picture by Ethel Romm.
The Record ran an extended series recalling the event in August 2009.

The New York Times, Barnard Collier later contended that he was almost continually pressed by his editors in New York to make the story about the immense traffic jams, the less than sanitary conditions, the rampant drug use, the lack of 'proper policing', and the presumed dangerousness of so many young people congregating. Collier is quoted as saying: "Every major Times editor up to and including executive editor James Reston insisted that the tenor of the story must be a social catastrophe in the making. It was difficult to persuade them that the relative lack of serious mischief and the fascinating cooperation, caring and politeness among so many people was the significant point. I had to resort to refusing to write the story unless it reflected to a great extent my on the scene conviction that 'peace' and 'love' was the actual emphasis, not the preconceived opinions of Manhattan bound editors.

After many acrimonious telephone exchanges, the editors agreed to publish the story as I saw it, and although the nuts and bolts matters of gridlock and minor lawbreaking were put close to the lead of the stories, the real flavor of the gathering was permitted to get across.

After the festival was finished, Collier wrote another article about the exodus of fans away from the festival for The New York Times. He speaks of such a peaceful event considering the size of the crowd and listens to Dr. William Abruzzi’s (chief medical officer during the event) opinions that these were beautiful people. This opinion had seemingly rubbed off on several locals. Bus driver Richard Biccum described them as "good kids in disguise."

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The Films

The documentary film, Woodstock, directed by Michael Wadleigh and edited by Thelma Schoonmaker and Martin Scorsese, was released in 1970. Artie Kornfeld (one of the promoters of the festival) came to Fred Weintraub, an executive at Warner Bros., and asked for money to film the festival. Previously, Artie had been turned down everywhere else, but Fred Weintraub became his hero and, against the express wishes of other Warner Bros. executives, Weintraub put his job on the line and gave Kornfeld $100,000 to make the film. Woodstock helped to save Warner Bros at a time when the company was on the verge of going out of business. The book 'Easy Riders, Raging Bulls' details the making of the film.

Wadleigh rounded up a crew of about 100 from the New York film scene. With no money to pay the crew, he agreed to a double or nothing scheme, in which the crew would receive double pay if the film succeeded and nothing if it bombed. Wadleigh strived to make the film as much about the hippies as the music, listening to their feelings about compelling events contemporaneous with the festival (such as the
Vietnam War), as well as the views of the townspeople.
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Woodstock received the Academy Award for Documentary Feature. The film has been deemed culturally significant by the United States Library of Congress. In 1994, Woodstock: The Director's Cut was released and expanded to include Janis Joplin as well as additional performances by Jefferson Airplane, Jimi Hendrix, and Canned Heat not seen in the original version of the film. In 2009, the 40th Anniversary of the festival, it has been again released on DVD. This release marks first time it has been available in high definition on Blu-ray disc.
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The Recordings
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Two soundtrack albums were released. The first, 'Woodstock: Music from the Original Soundtrack and More', was a 3-LP (later 2-CD) album containing a sampling of one or two songs by most of the acts who performed.


A year later, 'Woodstock 2' was released as a 2 LP album. Both albums included recordings of stage announcements (e.g. "[We're told] that the brown acid is not specifically too good", "Hey, if we think really hard maybe we can stop this rain") and crowd noises (i.e. the "rain chant") between songs.


In 1994 a third album, 'Woodstock Diary' was released. Tracks from all three albums, as well as numerous additional, previously-unreleased performances from the festival, but not the stage announcements and crowd noises, were reissued by Atlantic as a 4 CD box set titled 'Woodstock: Three Days of Peace and Music'.
An album titled '
Jimi Hendrix: Woodstock' also was released in 1994, featuring only selected recordings of Jimi Hendrix at the festival. Longer double disc set, 'Live at Woodstock' (1999) features every song of Hendrix's performance omitting just two pieces that were sung by his rhythm guitarist.


In 2009 complete performances from Woodstock by Santana, Janis Joplin, Sly & the Family Stone, Jefferson Airplane, and Johnny Winter were released separately and were also collected in a box-set entitled 'The Woodstock Experience'.
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Aftermath
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Bethel voters tossed out their supervisor in an election held in November 1969 because of his role in bringing the festival to the town. New York State and the town of Bethel passed mass gathering laws designed to prevent any more festivals from occurring. Attempts were made to prevent people from visiting the site, its owners spread chicken manure, and during one anniversary tractors and state police cars formed roadblocks.


20,000 people gathered at the site in 1989 during an impromptu 20th anniversary celebration. A local man put up a monument at the site, and in 1997 a community group put up a welcoming sign for visitors. Unlike in Bethel, the Town of Woodstock made several efforts to cash in on its notoriety. Bethel's stance changed in recent years, and the town now embraces the festival. Efforts have begun to forge a link between Bethel and Woodstock.[40]
Approximately 80 lawsuits were filed against Woodstock Ventures. The movie financed the settlements and paid off Woodstock Ventures $1.4 million dollars of debt it had incurred from the festival.
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Woodstock Today
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A plaque has been placed at the original site commemorating the festival. The field and the stage area remain preserved in their rural setting. On the field are the remnants of a neon flower and bass from the original concert. In the middle of the field, there is a totem pole with wood carvings of Jimi Hendrix in the middle, Janis Joplin on top, and Jerry Garcia on the bottom. A concert hall has been erected up the hill, and the fields of the old Yasgur farm are still visited by people of all generations.
In 1997, the site of the concert and 1,400 acres surrounding was purchased by Alan Gerry for the purpose of creating the 'Bethel Woods Center for the Arts'. The Center opened on July 1, 2006 with a performance of the New York Philharmonic. On August 13, 2006, Crosby Stills Nash & Young performed to 16,000 fans at the new Center, 37 years after their historic performance at Woodstock.

The Museum at Bethel Woods opened in June 2008. The Museum contains film and interactive displays, text panels, and artifacts which explore the unique experience of the Woodstock festival, its significance as the culminating event of a decade of radical cultural transformation, and the legacy of the Sixties and Woodstock today.
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The year 2009 marks the 40th anniversary of Woodstock. There has been extensive worldwide media interest in the anniversary.
A number of activities to commemorate this historic festival will be taking place around the world. One such will be in Hawkhurst, Kent (UK), at a Summer of Love party, with acts including two of the participants at the original Woodstock - Barry Melton of Country Joe and the Fish and Robin Williamson of the The Incredible String Band, plus cover bands for Santana and the Grateful Dead.
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Woodstock Ventures and Sony Music announced a partnership in April on Woodstock.com, which is both the official site for Woodstock and a social network.


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LARRY..CURTIS..SPURLOCK


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Saturday, August 15, 2009

woodstock (20 years) revisited ... by: larry curtis spurlock




Saturday August 15, 2009
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In honor of celebrating the 4oth anniversary of the
Woodstock Music & Arts Festival ...



Woodstock Music & Art Fair (informally, Woodstock or The Woodstock Festival) was a music festival, billed as
"An Aquarian Exposition", held at Max Yasgur's 600 acre dairy farm in the rural town of Bethel, New York from August 15 to August 18, 1969. Bethel, in Sullivan County, is 43 miles (69 km) southwest of the town of Woodstock, New York, in adjoining Ulster County.
Thirty-two acts performed during the sometimes rainy weekend in front of nearly half a million concertgoers. It is widely regarded as one of the greatest moments in popular music history and was listed on Rolling Stone's 50 Moments That Changed the History of Rock and Roll.
The event was captured in a successful 1970 documentary movie, Woodstock; an accompanying soundtrack album; and Joni Mitchell's song "Woodstock", which commemorated the event and became a major hit for Crosby, Stills, Nash & Young.
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lyrics penned in
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4 14 171 2a

by:
larry curtis spurlock

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woodstock ( 20 years ) revisited


1
it was 20 years ago - when ray warren saw me
on florida avenue in herndon v a
where you going larry - rayzor willie says to me
hell i don’t know i says to ray

2
there's a concert they’re having - in upstate new york
ol’ ray says he wants me to go
ray, i got no money - no car and no job
just how you think i'm gonna show

3
ray is home from viet nam - but he's got another year
and he says he's got plenty of money
he'll pay my way if i'll help drive - he wants me along
cause i'm so damn funny

4
i'm nineteen years old - just six weeks before i’m drafted
this is something i've got to do
we pick up c e smann - my old friend
and we're on the road thursday the fourteenth at two

5
c e smann’s got no bread - ray's virtually footing the bill
but he says he isn't dumb
let's have fun - and do something we'll remember
for twenty years to come

chorus
woodstock
i had no idea what you'd do to me
woodstock
and they said the show was free
woodstock .. woodstock .. woodstock
now i see
woodstock .. woodstock .. woodstock
you had to be - free for me

6
we drove ten hours - but when we got to woodstock
they said the show was fifty more miles up the road
we got to the site - friday morning at eleven and by noon
the music was loud and we were stoned

7
we don't know santana or richie havens – where are we gonna sleep ?
but i know we'll get it done
this weekend is hauntingly surreal - something tells me not to worry
just have fun fun fun

8
so much happened by saturday morning - i lost ray and c e smann
sometime in the night
one thing kept me from worrying then - smiling lilah
and she made everything all right

9
she came there - with a handful of people from connecticut
on an old school vehicle ripe with rust
we spent some time down there - while the who was singing
i want it, i want it, I want it .. i got it - at the magic bus

10
now it's me and smiling lilah - all day saturday
no doubt i sacrificed my soul
the music was great - continuously beating in the background
rumbling down by the washin' hole

repeat chorus

11
we did it all all day - she was calling me smiling larry
her volunteer
i never had this much fun - in just 24 hours
my whole life plan seemed clear

12
but as much as i liked lilah - she just wasn't a part
of my destiny and future plan
coming down - i put my priorities in order
gotta find ray and c e smann if i can

13
saturday night - say no to more drugs
but lilah's brother has some jack daniels, black label
so now here i am - i've run the gamut
passed out in a horse stable

14
as sunday morning's headache - wakes me at dawn
i find i'm plain worn out
but there's something new - lilah says it’s speed
rrr rrr rrrrrr rrrrrr rrrrrrrr - far out

15
sunday's breakfast - has been put on hold
but the music carries on
lilah's talking about me - coming back to connecticut
but lord i'm going home

repeat chorus

16
somehow ray and c e smann find me - talking in tent city
their promise to find me was vowed
i show them lilah - and she goes on about me
a different me emerges from that crowd

17
in 48 hours - the line has been drawn
right down the middle of the road
psychedelic surprise - the good old boys are splitting in two
as i develop a new code

18
so there you have it - three dudes go to woodstock
one an unlikely show
but some mind altering later - funny how it happens
that was the one who had to go

19
boys talking trash - on their way home
two say it was quite a whim
one is thinking of lilah - and what's to come
and what the army will do to him

20
i can tell you now - i didn't need that festival
to make me who i am
but it's funny how it guided me - to be who i am
20 years later as a man

chorus (3x) - out

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Schedule of performing Acts
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Friday, August 15, 1969
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Saturday, August 16, 1969
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Sunday & Monday, August 17 & 18, 1969
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Declined invitations:
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The Doors
- were considered as a potential performing band, but canceled at the last moment; the cancellation was most likely due to Jim Morrison's known and vocal distaste for performing in large outdoor venues. Doors drummer John Densmore attended, however, and in the film, he can be seen on the side of the stage during Joe Cocker's set.
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Led Zeppelin - was asked to perform, their manager Peter Grant stating:
"We were asked to do Woodstock and Atlantic were very keen, and so was our US promoter, Frank Barsalona. I said no because at Woodstock we'd have just been another band on the bill".
Instead the group went on with their hugely successful summer tour, playing that weekend south of the festival at the Asbury Park Convention Hall in New Jersey. Their only time out taken was to attend Elvis Presley's show at the International Hotel in Las Vegas, on August 12.
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Jethro Tull - declined to perform. Ian Anderson is reported to have later said he "didn't want to spend [his] weekend in a field of unwashed hippies". Another theory proposes that the band felt the event would be "too big a deal" and might kill their career before it started. However, other artists from the time have expressed the view that, before the festival, there was little indication of the importance the event would eventually come to assume. Although Jethro Tull did not perform, their music was played over the public address system. In the film, during the interview with the promoters (where they are discussing how much money they will be losing on the venture), the songs "Beggar's Farm" and "Serenade to a Cuckoo", from the album This Was, can be heard in the background. Jethro Tull did perform at the Isle of Wight Festival in 1970.

The Byrds - were invited, but chose not to participate, not figuring Woodstock to be any different from all the other music festivals that summer. In addition, there were concerns about money. As bassist John York remembers: "We were flying to a gig and Roger [McGuinn] came up to us and said that a guy was putting on a festival in upstate New York. But at that point they weren't paying all of the bands. He asked us if we wanted to do it and we said, 'No'. We had no idea what it was going to be. We were burned out and tired of the festival scene. So all of us said, 'No, we want a rest' and missed the best festival of all.'"
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Tommy James and the Shondells declined an invitation. Lead singer Tommy James stated later: "We could have just kicked ourselves. We were in Hawaii, and my secretary called and said, 'Yeah, listen, there's this pig farmer in upstate New York that wants you to play in his field.' That's how it was put to me. So we passed, and we realized what we'd missed a couple of days later."
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Bob Dylan was in negotiations to play, but pulled out when his son became ill. He also was unhappy about the number of hippies piling up outside his house near the originally planned site. He would go on to perform at the Isle of Wight Festival two weeks later.
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Mind Garage - declined because they thought it would not be a big deal and had a higher paying gig elsewhere.
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The Moody Blues were included on the original Wallkill poster as performers, but decided to back out after being booked in Paris the same weekend.
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Spirit also declined an invitation to play, as they already had shows planned and wanted to play those instead, not knowing how big Woodstock would be.
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Joni Mitchell was originally slated to perform, but canceled at the urging of her manager to avoid missing a scheduled appearance on The Dick Cavett Show.
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It's A Beautiful Day cancelled at the last minute.
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.LARRY..CURTIS..SPURLOCK
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Friday, August 14, 2009

BREAKING NEWS: Les Paul dead at 94


Friday August 14, 2009

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Grammy award winning guitar virtuoso, inventer and musical genius,
Les Paul died Thursday August 13, 2009 at age 94
in White Plains, New York of pneumonia.
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His survivors include a companion, Arlene Palmer; two sons from his first marriage; a son and daughter from his second marriage; five grandchildren; and five great-grandchildren. A daughter from his second marriage died in infancy in 1954.
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Les Paul will, first and foremost, be remembered as one of the greatest guitar players ever to play a chord. But that would be cheating him of his full genius in that he was the first guitarist to invent and play an electric solid body model guitar.
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Mr. Paul first came to prominence for his fast and flashy jazz-guitar style, playing with such entertainers as Bing Crosby and Nat King Cole. In the 1940s and early 1950s , he and singer Mary Ford, his wife, had hits with How High the Moon, The Tennessee Waltz, Vaya con Dios and The World Is Waiting for the Sunrise.
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He actively promoted such guitars for the Gibson company, and the Les Paul line of guitars became commonplace among such musicians as Eric Clapton, Pete Townshend and Jimmy Page.
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He said his efforts were toward one goal: to change the way people saw the guitar.
"I wanted people to hear me," he told the publication Guitar Player in 2002.
"That's where the whole idea of a solid-body guitar came from. In the '30s, the archtop electric was such an apologetic instrument. On the bandstand, it was so difficult battling with a drummer, the horns, and all the instruments that had so much power."
"With a solid-body, guitarists could get louder and express themselves," he said. "Instead of being wimps, we'd become one of the most powerful people in the band. We could turn that mother up and do what we couldn't do before."
He, also, played a key role in developing the eight-track tape recorder and used the device to play many parts on the same recording, a process now known as multi-tracking. Such early work in overlaying sound contributed to the richness and distinctiveness of his recordings.
It was his work in this field that led the Beatles to experiment with overdubbing and laying down track over track over tracks.

Mr. Paul earned the nickname "the Wizard of Waukesha," after the Wisconsin town where he was born Lester William Polfuss on June 9, 1915. His father was an auto mechanic.
As a boy, Les Paul taught himself music on his mother's player piano, mimicking the notes with his hands. An admirer of the blues and country troubadours he heard on the radio, he imitated their songs with his harmonica and mail-order guitar. He played both instruments simultaneously by making his own harmonica holder.
Artists such as Bob Dylan and Neil Young used a variation of this device to play live gigs using both instruments at the same time.

As a teenager, he played at a drive-in restaurant, where he experimented with amplified sound to reach the open-air audience. He stuck a phonograph needle inside his acoustic guitar and wired it to a radio speaker.
Adopting the moniker "Rhubarb Red," he left high school, joined a traveling cowboy band and later played on the "National Barn Dance" program on WLS radio in Chicago. He named one of his early groups the ''Original Ozark Apple Knockers''.
Not wishing for a career in hillbilly music, he convinced two friends -- guitarist Jimmy Atkins (Chet's brother) and bassist Ernie Newton - that he knew Paul Whiteman, the prominent big-band leader. The trio went to New York in 1937, only to be kicked out of Whiteman's office.
They were waiting to take the elevator back down when they saw bandleader Fred Waring standing next to them. He already had dozens of musicians, but Les insisted that he hear the trio's lightning-fast tempo -- timed to please Waring before the elevator arrived. He was hooked, and they got a job on his NBC show.
Around this time, Les Paul also became a consultant to the Gibson company, testing its new models. Not until a decade later, in 1952, and after a rival company developed a similar model did Gibson see the selling potential of Les's solid-body electric guitar. It sought his endorsement on its own design.
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It was during his playing time with Bing Crosby that Crosby arranged for a recording session at Decca records, where they made It's Been a Long, Long Time, Tiger Rag and other titles that were bestsellers.

In the early 1940s, Les worked for Armed Forces Radio Service and became a staff musician at NBC, accompanying the Andrews Sisters and other pop singers.
He jammed the blues with pianist Cole in Norman Granz's first Jazz at the Philharmonic concert series in 1944. Their quicksilver note-for-note matching of solos created howls of approval from the audiences.
He also had musical dates worldwide, once meeting his idol, Gypsy guitarist Django Reinhardt.
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On Crosby's advice, Les Paul created his own recording studio, both to help his guitar career and to further his interest in electronics. He began to take advantage of new, still bulky tape-recording machine technology. Facing initial skepticism, he persuaded Ampex to market his eight-track tape recorder.
After hundreds of false starts, he began recording with the new devices in the late 1940s, and the results can be heard on such numbers as Nola, Josephine, Whispering and Meet Mister Callaghan.
His version of Lover contained eight overdubbed electric guitar parts, which he electronically wove into a single record. It was a sensation.
Married at the time, he also had been seeing Mary Ford, whom he had hired as a singer and guitarist. In 1948, both were in an auto wreck on an icy patch of road in Chandler, Okla., that almost killed him.
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Les's right arm was crushed, and one doctor suggested amputation. Instead, he had it fixed at a right angle so he could play his instrument.
The next year, Les Paul divorced his wife, Virginia Webb Paul, and married Mary Ford. The new couple settled in Mahwah, N.J., and continued to work together on a series of albums for Capitol and Columbia in the 1950s, including The New Sound and Time to Dream.
The rigorous touring schedule and Ford's alcohol addiction damaged their marriage. Meanwhile, the public demand for rock-and-roll harmed their careers. They divorced in 1964.
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Les Paul, who had long ago made his fortune, tried to settle into retirement in the 1960s as the popularity of rock-and-roll music grew. He made occasional recordings, notably the album Chester and Lester, for which he shared a 1976 Grammy with Chet Atkins for best country instrumental performance. Les was inducted into the Rock and Roll Hall of Fame in 1988 and won two more Grammys, in 2006, for his album Les Paul & Friends: American Made, World Played.
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He gradually reentered public performance, obtaining a regular date at Fat Tuesday's and later the Iridium jazz club in New York, where he played Monday nights until shortly before his death. AT AGE 94 MIND YOU!
For fans and fellow musicians, including Billy Joel and Paul McCartney, catching Les Paul was a Monday night must. He was a sprightly presence, even after he developed arthritis that left him with the use of only two fingers of his left hand.
"If you're stubborn, it can be done," he once told The Washington Post. "I've been playing with what fingers I have left. If they'll put up with it, I can put up with it."
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LARRY..CURTIS..SPURLOCK
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